Songs of a Wayfarer and Kindertotenlieder in Full Score 马勒《旅人之歌》、《悼亡儿之歌》 pmlz 2025 pdf 下载 kindle mobi docx 百度云

Songs of a Wayfarer (Lieder eines fahrenden Gesellen), Mahler's first orchestral song cycle, is a strongly autobiographical work. Set to his own text, it is a revealing self-portrait of the young man in the agonies of love, and a work considered by many to be the masterpiece of Mahler's early period.

The folklike idioms of Songs of a Wayfarer give way to the haunting musical imagery of Mahler's later style in the Kindertotenlieder (Songs of the Deaths of Children), the composer's setting of five poems by Friedrich Ruckert. Filled with the delicate counterpoint and luminous chromatic harmony of his last works, they reflect another compelling facet of Mahler's intense romanticism.

These two deeply moving scores, both favorites of musical artists and their audiences today, are reprinted here from original German editions. They will provide musicians and music lovers a lifetime of study and enjoyment of two of Mahler's masterly achievements for voice and orchestra.

Unabridged Dover (1990) republication of the editions published by Jos. Wein-berger, Leipzig, 1897 (Songs of a Wayfarer) and C. F. Kahnt, Leipzig, 1905 (Kindertotenlieder). Lists of instruments. Translations of texts. 160pp. 9×12. Paperbound.

Texts and Translations

Glossary of German Terms

Instrumentation (Songs of a Wayfarer)

Songs of a Wayfarer [Lieder eines fahrenden Gesellen] (18837-1885, rev. 18917-1896)

1. Wenn mein Schatz Hochzeit macht

2. Gieng heut' Morgens fiber's Feld

3. Ich hab' ein glfihend Messer

4. Die zwei blauen Augen

Instrumentation (Kindertotenlieder)

Kindertotenlieder [Songs of the Deaths of Children]( 1901-1904)

1. Nun will die Sonn' so hell aufgeh'n!

2. Nun seh' ich wohl, warum so dunkle Flammen

3. Wenn dein Miitterlein

4. Oft denk' ich, sie sind nur ausgegangen!

5. In diesem Wetter!

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书籍介绍

Two orchestral song cycles, one from the early period and one from the late, that richly display Mahler’s intense romanticism and his genius in composing for voice and orchestra. Reprinted from authoritative Viennese and German editions.