The Abduction from the Seraglio in Full Score(莫扎特歌剧《后宫诱逃》全谱) pmlz 2025 pdf 下载 kindle mobi docx 百度云

Die Entfuehrung aus dem Serail--the Abduction from the Seraglio-- was one of Mozart's first operatic hits, and received performances all over Europe, even if the emperor did think it contained too many notes. Too many tenors is closer to the mark (the male roles include two tenors, one bass, and one character who only speaks), but this singspiel is a bright and bubbly work, endearing in its comic scenes and impressive in its serious moments. This score is one of Dover's reprints of other publishers. That means that it's not the most up-to-date edition available, that the words appear in German only, and that it's not as suitable for singers to use as a plain piano- vocal score would be. But this is a reasonably priced version that gives the student or enthusiast the opportunity to check out just how Mozart achieved that great "Turkish" instrumental color.

Overture

Act One

　No. 1. Aria. (Belmonte.) Hier soil ich dich denn sehen

　No. 2. Song and Duet. (Osmin, Belmonte.) Wer ein Liebchen hat gefunden

　No. 3. Aria. (Osmin.) Solche hergelauf'ne Laffen

　No. 4. Aria. (Belmonte.) Constanze! Constanze! dich wieder zu sehen

　No. 5. Chorus ofJanissaries. Singt dem grossen Bassa Lieder

　No. 6. Aria. (Constanze.) Ach ich liebte, war so gRicklich

　No. 7. Trio. (Osmin, Belmonte, Pedrillo.) Marsch, marsch, marsch!

Act Two

　No. 8. Aria. (Blonde.) Durch Zairtlichkeit und Schmeicheln

　No. 9. Duet. (Osmin, Blonde.) Ich gehe, doch rathe ich dir　

　No. I0. Recitative and Aria. (Constanze.) Welcher Wechsel herrscht in meiner Seel Traurigkeit ward mir zum Loose

　No. 11. Aria. (Constanze.) Martern aller Arten

　No. 12. Aria. (Blonde.) Welche Wonne, welche Lust

　No. 13. Aria. (Pedrillo.) Frisch zum Kampfe

　No. 14. Duet. (Pedrillo, Osmin.) Vivat Bachus, Bachus lebe

　No. 15. Aria. (Belmonte.) Wenn der Freude Thrainen fliessen

　No. 16. Quartet. (Constanze, Blonde, Belmonte, Pedrillo.) Ach Belmonte! ach mein Leben!.

Act Three

　No. 17. Aria. (Belmonte.) Ich baue ganz auf deine Stairke

　No. I8. Romance. (Pedrillo.) In Mohrenland gefangen war

　No. 19. Aria. (Osmin.) Ha! wie will ich triumphiren

　No. 20. Recitative and Duet. (Belmonte, Constanze.) Welch ein Geschick

　Meinetwegen sollst du sterben

　No. 21. Vaudeville. (Belmonte, Constanze, Blonde, Pedrillo, Osmin.) Nie werd' ich 　deine

　 Huld verkennen

　 Chorus of Janissaries. Bassa Selim lebe lange

Supplements

　Ⅰ.Concert Ending of the Overture

　Ⅱ.To the Aria No. 8. (Blonde.)

　Ⅲ.To the Aria No. 11. (Constanze.)

　Ⅳ.To the Aria No. 12. (Blonde.)

　Ⅴ.To the Aria No. 15. (Belmonte.)

　Ⅵ.To the Aria No. 17. (Belmonte.)

　Ⅶ.The Piccolo Part as Originally Notated by Mozart

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书籍介绍

Exactingly reproduced from the authoritative Breitkopf and Hartel edition, this superb full-score edition offers music lovers a rare opportunity to study and follow performances of this great comic opera, one of the most engaging and least pretentious masterpieces in the repertory.